“Coffee and rain along with hill station “Anything can be tastier than this? If no then Araku Valley is the answer where one can find their happiness of inner soul in between the green valley. About Araku Valley Araku Valley is the beautiful hill station in Andhra Pradesh, situated at an altitude of 900 meter above the sea level and around 90 to 120 km from Vizag (Vishakhapatnam) depending on your departure destination. Araku Valley is an combination of lush green forest with mountain, fogy whether, mind-blowing waterfalls, curvy roads, rich in tribal culture, coffee plantation a perfect destination for nature lover where you can enjoy pollution free air. Best Time to visit The Best time to visit the valley during winter season in the month of November to February. In the winter, the weather become pleasant and most of the traveler preferred visit during winter but during this season all the tourist places in Araku become overcrowded and you may get disappointed and
Hello, readers
Today I will provide you every single
information about a place that is a perfect mixture of nature, wildlife,
holism, history, handloom, art & craft and culture. I’m talking about the
BEAUTIFUL ASSAM the part of North-East India which can be your next destination
to travel with your loved one.
Assam is synonymous with breathtaking natural beauty, teeming
wildlife, immaculate tea gardens and warm, beautiful people. It’s strategic
location in the northeast of India, and it’s accessibility from the rest of the
country makes it the gateway to the northeastern states.
First of all I would like to explore the wild life in Assam.
WILD LIFE: With five national parks, two of which are designated World
Natural Heritage Sites by UNESCO, and several wildlife and bird sanctuaries,
Assam is a blessed land for wildlife enthusiasts.
At the heart of its mind boggling biodiversity is the rich
topography of Assam with its lush hills and valleys dissected by the majestic
Brahmaputra and its many tributaries.
Assam is home to over 180 species of mammals, including rare and
endangered species like the great Indian one-horned rhinoceros, the royal
Bengal tiger, the golden langur and hoolock gibbon.
Assam's most famous parks are Kaziranga and Manas. Both were conferred World Heritage Status in 1985. Along with kaziranga and Manas National Park there are few other wild life park available in Assam. Those are Nameri National Park and Dibru-Saikhowa National Park.
Assam's most famous parks are Kaziranga and Manas. Both were conferred World Heritage Status in 1985. Along with kaziranga and Manas National Park there are few other wild life park available in Assam. Those are Nameri National Park and Dibru-Saikhowa National Park.
After that my favorite part is Historical Monument.
Historical Monument : The 18th century Rangghar, Asia’s first amphitheatre, at
Sivasagar town exemplifies the best of Ahom architecture. The octagonal,
two-storey structure stands on exotic material—jaggery, black gram, elephant
grass, limestone, snail ooze, filtered lime powder, long fish bones, mustard
oil, incense, and of course bricks and big stones. Members of the royalty
watched buffalo and elephant fights, duels and sporting events from the upper
storey while commoners enjoyed them sitting on earthen mounds that once
surrounded Rangghar.
The amphitheatre is close to Talatal
Ghar or ‘underground palace’, the largest of the Ahom monuments. The
irregularly shaped palace had seven storeys, three of them underground with two
secret tunnels – one of them 16 km long – for use as escape routes during enemy
attacks. The underground chambers have been sealed but visitors can view the
remnants of the upper storeys. Another multi-storeyed palace is the Kareng Ghar.
Sivasagar is surrounded by medieval
tanks – locally called sagar (sea) for an indigenous technology that helps
maintain the water level even during severe dry seasons. Not far away from the
town at Charaideo are the maidams or the pyramid-like royal vaults. Each maidam
has a domed superstructure covered by a hemispherical earthen mound. No less
significant are the following archaeological sites.
Da-Parbatia
The ruins of the door frame of
Da-Parbatia Temple a few kms. from Tezpur town, is perhaps the finest and
oldest specimen of sculptural or iconoclastic art in Assam. It's carving has
the characteristics of the style of early Gupta School of sculpture. The
door-jambs having two goddesses, Ganga and Yamuna, standing below with garlands
in their hands in artistic pose and elegance are decorated with beautiful
ornamental foliage.
Madan
Kamdev
Barely 40 kms. away from the
sprawling metropolis Guwahati, on N.H. 52 Madan Kamdev is an enigma, a mystery,
a marvel and in the words of Omar Khayam, "a veil past which I could not
see". Very little is known about the origin of this magnificient
archaeological ruins. Written history is almost silent on it, leaving wide room
for conjectures and hypothesis. The ruins of Madan Kamdev scattered over a
hillock dates back to the 9th and 10th centuries. Remnants of 12 temples were
discovered here 35 years ago. Apart from Hindu deities, the ruins have erotic
sculptures akin to Khajuraho in central India’s Madhya Pradesh state.
Agnigarh
"Preserving the sweet memory of
young lovers", Agnigarh or the rampart, surrounded by fire, is perhaps the
most beautiful tourist spots in Tezpur. According to legend, Princess Usha, the
only daughter of King Bana, was kept inside the palace which was surrounded by rampart
of fire. The present Agnigarh, now only a hillock facing the mighty
Brahmaputra, provides the tourist a soul touching panoramic view of both the
river and Tezpur town.
Suryapahar
Suryapahar is located 136 km west of
Guwahati is a unique archaeological site on a hillock sporting Hindu, Buddhist
and Jain relics together. The site has hundreds of ancient engraved Shiva
Lingas of various sizes, a series of Buddhist stupas and sculptures associated
with Jain religious beliefs. Remains of planned houses and artistic bricks at
Suryapahar have confirmed the long-held belief that a civilization thrived here
centuries ago.
Deoparbat
Deoparbat is close to Kaziranga
National Park, Deoparbat is a hillock housing stone carvings and ruins of
temples from the 8th and 9th centuries. The main Shiva temple here was
destroyed in a major earthquake in 1897. The archaeological site adjoins the
Deopahar Reserve Forest and is close to Garampani Wildlife Sanctuary on
National Highway 39. Home to hoolock gibbons and golden langurs, the sanctuary
derives its name from a hot spring.
Ambari
excavations
Ambari excavations is located in the
heart of Guwahati, close to the Dighalipukhuri tank, Ambari straddles two
distinct cultural periods ranging from 7-12th AD and 13-17th AD. A ceramic
industry dominated by kaolin ware, red ware and buff ware has been unearthed
here. Chinese celadon ware and green glazed ware have also been found in the
excavation.
Moidams
The moidams are pyramid like burial
mounds of members of the Ahom royalty. The best known are some 40 tombs at Charaideo,
30 km from Sivasagar town, which was the first capital of the Ahoms after
Sukapha (1228-1268) established his kingdom there. At Hoolungapara, 16 km from
Jorhat, is Lachit Moidam that preserves the remains of
Lachit Barphukan (1622-72), the great Ahom general who defeated the Mughal
forces in the Battle of Saraighat in 1671. Close to Jorhat are Raja Moidam,
the tomb of king Purandar Singha, and Purnananda
Buragohain Moidam, the tomb of a general near Tocklai.
Third part of my favorite list
contains Temples and Holism.
TAMPLE
& PILIGRIMEGES : At Kamakhya,
Mother Goddess is worshipped in the yoni form inside the sanctum sanctorum that
is a cave with rock stairs. Of several legends and myths that tell the story of
temple, the most important is that Sati’s genitals fell here as her
griefstricken husband Shiva carried her body hither and thither in frenetic
sorrow. The hill represents the body of Lord Shiva himself and when Sati’s
genitals fell here, it turned blue to become the Nilachal. Though no exact date
is available to ascertain the time of establishment of the temple,
archeological evidences place it around the 8th century. The present temple was
rebuilt in 1565 after it was destroyed and desecrated by a Muslim invader in
the 16th century, and is surrounded by many other temples dedicated to several
other deities like Bhubaneswari, Kali, Tara, Chhinnamasta, Bagala, Bhairavi,
Doomavati, Matangi and Kamala,all of them together with Kamakhya temple are
collectively known as the Dasa-mahavidya. The Nilachal Hills also have five
Shiva temples – Kameswar, Siddheswar, Amra-Tokoreswar, Aghor and Kautilinga. A
pilgrimage to Kamakhya remains incomplete if one also does not visit temples of
Jai-Durga, Bana-Durga,Trinath, Kedareswar, Namath-Kali,Hanuman, Ganesh,
Pandunath, Smashan-Kali and Gadadhar. While a visit to Kamakhya can be made any
time of the year, thousands of devotees land up during Ambubachi Mela every
June. One can also offer prayers to the mighty Brahmaputra from the Nilachal
Hills that offer a panoramic view of Guwahati. On the western side of Nilachal
is Pandunath Devalaya. The principal deity here is Vishnu, and it was here that
Vishnu had beheaded Madhu and Kaitabha, two notorious asuras or demons by
placing them on his thigh. The thigh on which Vishnu beheaded them is
represented by a rock, while the name Pandunath was derived from the images of
the five Pandava brothers sculptured on the rock surface here. Buses from most
parts of the city ply regularly to Kamakhya. It can be easily reached by
auto-rickshaw as well.
Ambubachi
Mela
The week-long Ambubachi Mela is the most popular festival held every
June in the Kamakhya temple complex. The festival celebrates the harmony
between the reproductive female body and the cycles of nature. The temple – all
others across Assam and beyond too – is closed for three days during the Mela,
coinciding with the menstruation period that the Mother Goddess is believed to
undergo. Ploughing fields or cutting earth
is forbidden during these three days. The festival marks the divine Mother’s
retreat from the demands of her devotees. The temple doors open after three
days amid great festivity. Devotees from far and wide throng the temple,
seeking a piece of red cloth offered as blessed prasad (consecrated item).
Nabagraha
Temple
One of the reasons why Guwahati is referred to as Pragjyotishpur or the
city of eastern Astrology is because of the Navagraha temple. Navagraha or the
temple of nine planets is situated on a hill top in the heart of Guwahati. It
is a mere 3 km away from the Railway Station. In ancient times, it was said to have
been a great centre of study of astronomy and astrology. It is accessible by
taxis and auto-rickshaws.
Basisthashram
Situated
in the southern-most rim of Guwahati city is Basisthashram, said to have been
the hermitage of Hindu sage Vashisht. Three rivulets named Sandhya, Lalita and
Kanta meet here and flow perenially adding scenic grandeur to the place. Within
its complex is Janardan Devalaya, dedicated to Lord Vishnu.
It is 12 Kms. from the Guwahati Railway Station. City buses ply regularly to the Ashram.
It is 12 Kms. from the Guwahati Railway Station. City buses ply regularly to the Ashram.
Umananda
Temple
The
great Shiva temple situated on a hillock in the middle of the Brahmaputra in
Guwahati attracts devotees from all over the country during Shiva Ratri. The
hillock is accessible by country boats and is called Bhasmachal (Peacock
Island), where Shiva is believed to have turned Kamdev, the god of love, to
ashes for disturbing his meditation.
Regular ferry services are available to this place.
Regular ferry services are available to this place.
Ashwankranta,
Manikarneswar, Dirgheswari, Rudreswar and Doul Govinda Temples
In North Guwahati, across the Brahmaputra, are Ashwakranta temple that
houses what is said to be the footprints of Vishnu in his avatar as a tortoise,
the 11th century star-shaped Manikarneswar temple dedicated to Lord Shiva, the
18th century Dirgheswari temple dedicated to Durga, the Rudreswar temple and
the Krishna temple of Doul Govinda.
Mahamaya
Temple
Another
prime pilgrimage is Mahamaya temple at Bogoribari near Dhubri town in western
Assam. These Shakti spots are complimented by an array of temples dedicated to
Lord Shiva, such as Bhairabkunda on the border with Bhutan, Shivadol in
Sivasagar and the offbeat Tilinga temple (Tinsukia district) where one ties
tiny bells on a banyan tree for wishes to come true.
Poa-Mecca
There is also a
mosque built by Pir Ghiasuddin Aulia from Baghdad, said to be the first to
preach Islam in Assam. It is believed that by offering prayer here, a faithful
gains one-fourth (poa) spiritual enlightenment of what could be gained at Mecca
and so is known as Poa-Mecca.
Gurudwara
Sri Guru Tegh Bahadur Sabib
For Sikhs across the globe, a major pilgrimage is the Gurdwara Sri Guru
Tegh Bahadur Sahib or Damdama Sahib in Dhubri town. It is said that Guru Nanak
visited Assam in 1505 and met saint-reformer Srimanta Sankardeva. The gurdwara
was built by the ninth Guru Tegh Bahadur to commemorate that visit. The Sikh
Temple at Fancybazar in Guwahati is a major Sikh pilgrimage.
Christ
Church
Christian
missionaries played a major role in promoting the Assamese language but
Christianity prospered more in Assam’s sister states. Though it boasts of
Christ Church, Guwahati serves more as a transit point for devout Christians on
their way to heritage churches in Shillong.
But Assam’s spiritual centre-pieces are Vaishnavite monasteries or Satras, the hub of which is Batadrava, the birthplace of Sankardeva in Nagaon district 140km east of Guwahati. The other major Satras include Barpeta, Satrasal, Dhekiakhowa and Athkhelia. The island of Majuli has many Satras worth visiting.
But Assam’s spiritual centre-pieces are Vaishnavite monasteries or Satras, the hub of which is Batadrava, the birthplace of Sankardeva in Nagaon district 140km east of Guwahati. The other major Satras include Barpeta, Satrasal, Dhekiakhowa and Athkhelia. The island of Majuli has many Satras worth visiting.
SATRA AND MAJULI
Originally, the island
was a long, narrow piece of land called Majoli (land in the middle of two
parallel rivers) that had the Brahmaputra flowing in the north and the
Burhidihing flowing in the south, till they met at Lakhu. Frequent earthquakes
in the period 1661–1696 set the stage for a catastrophic flood in 1750 that
continued for 15 days, which is mentioned in historical texts and reflected in
folklore. As a result of this flood, the Brahmaputra split into two branches —
one flowing along the original channel and the other flowing along the
Burhidihing channel and the Mājuli island was formed. The Burhidihing's point
of confluence moved 190 km east and the southern channel which was the
Burhidihing became the Burhi Xuti. The northern channel, which was previously
the Brahmaputra, became the Luit Xuti. In due course, the flow in the Luit Xuti
decreased, and it came to be known as the Kherkutia Xuti; and the Burhi Xuti
expanded via erosion to become the main Brahmaputra River.
The locals speak in the Mising and Assamese languages.
Reference regarding the early existence of Majuli is found in Yogini Tranta that Sutiya king Ratnadhajpal founded his capital in
Ratanpur. which is now in the east from kamalabari.
Mājuli has been the cultural capital of Assamese civilisation since the
16th century; based on written records describing the visit of Srimanta Sankardeva — a 16th-century social reformer.
Sankardeva, a pioneer of the medieval-age neo-Vaishnavite movement, preached a
monotheist form of Hinduism called Vaishnavism and established monasteries and
hermitages known as satra on the islet.
The island soon became the leading center of Vaishavinism with the
establishment of these satras.
After the arrival of the British,
Majuli was under the rule of the British until India gained independence in 1947. It is one of world's biggest
river islands.
The
festival of Ali aye ligang is celebrated during mid-February with great pomp
and show. It is celebrated for five days starting from second Wednesday of
February till the next week. Local dishes like purang apin (rice wrapped in
special leaves), apong (rice beer) and dishes made of pork, fish and chickens
are served. Traditional Mising dance Gumrag Soman is performed in every village
worshiping the almighty Donyi polo (mother sun and father moon) asking for good
year of harvest.
Other festivals like Christmas is celebrated by the
majority Christians of Mising tribe in upper Majuli where Jengraimukh village
is the epicentre of Christians. Majuli has been the cultural capital and the
cradle of Assamese civilization for the past 500 years. The satras set up preserve antiques like weapons,
utensils, jewellery and other items of cultural significance. Pottery is made
in Mājuli from beaten clay and burnt in driftwood fired kilns in the same mode
carried out by the peoples of the ancient Harrappan Civilisation. Sociologists have
stressed the preservation of these unique peoples, whose culture and dance forms
are untouched by modernism. The hand-loom work of these tribes is
internationally famous.
Virtually every person on the island is involved in the
three-day long raas festival, depicting the life of
Krishna. People from hundreds of kilometers away come to celebrate this
festival including a number of expatriate members of community. The satras have honed certain art and craft
traditions, which can now be found only here. In Natun Samuguri Satra for
example, one can still find the craft of mask-making; and in the Kamalabari
Satra the finest boats are made.
The
island has been the hub of Assamese neo-Vaishnavite culture,
initiated around 15th century by the revered Assamese saint Srimanta Sankardeva
and his disciple Madhavdeva. Many Satras or monasteries constructed
by the saint still survive and represent the colourful Assamese culture. The
saint took refuge in Mājuli and spent a couple of months at Beloguri in West
Mājuli, which was a place of grandeur for the historic and auspicious,
'Manikanchan Sanjog' between Shankardeva and Madhavdeva, this was the first satra in
Mājuli. After the "Manikanchan Sanjog", sixty five satras were set
up. However, today only twenty-two of the original sixty-five are operational.
Sixty-five out of the six hundred and sixty-five original satras in
Assam were situated in Mājuli.
The
main surviving Satras (Satra) are:
During Rass Mahotsav, artists perform Bhawna wearing masks.
·
Dakhinpat
Satra: Founded by Banamalidev, a supporter of
Raasleela, which is now observed as one of the National Festivals of Assam.
·
Garamurh Satra: This
"Satra" was founded by Lakshmikantadeva. During the end of autumn,
the traditional the Raasleela is enacted with pomp and celebrations. Ancient
weapons called "Bartop" or cannons are
preserved here.
·
Auniati Satra: Founded by Niranjan Pathakdeva, the
satra is famous for the "Paalnaam" and Apsara Dances
and also its extensive assortment of ancient Assamese artefacts, utensils, jewellery and handicrafts.
It also has a hundred and twenty five disciples and over seven hundred thousand
followers worldwide.
·
Kamalabari Satra: The Kamalabari
Satra, founded by Bedulapadma Ata, is a centre of art, cultural, literature and
classical studies on the island. Its branch the Uttar Kamalabari Satra has
performed cultural programmes of the Satria Art all around the
country and abroad.
·
Narashingha Satra: ln the year of
1746 shri shri alengi narasingha satra was established by Ahom king Promottra
singha.The founder person of the satra was NRISHING CHARAAN .The Narasingha
satra is specially famous for sashi puthi,mask,THIO NAAM,ancient architec ,Bor
geet,satriya nritya,gupi nritya,sutradhar etc.
·
Benegenaati Satra: It is a
reliquary of antiques of cultural importance and an advance centre of
performing art. Muraridev, the grandson of Sankaradeva's stepmother was the
founder of the Satra. The royal raiment belongs to the Ahom king Swargadeo
Godadhar Singha, is made of gold. Also preserved is the royal umbrella made in
gold.
These
satras are the treasure house of "Borgeet" Matiakhara, Satriya Dances
(Jumora Dance, Chali Dance, Notua Dance, Nande Vringee, Sutradhar, Ozapali,
Apsara Dance, Satria Krishna Dance and Dasavater Dance), all promulgated by Srimanta Sankardeva. It has become a center for shuddhi in
the Northeast of India, due to the efforts of Pitambar Deva Goswami.
Mājuli
is 20 km from Jorhat. One can take the bus or a hired taxi to the Nimati
Steamer Ghat from where ferry services ply. The distance takes over three hours
to cover, with three bus rides and two ferry rides.
On
the north bank is the river Subansiri and on the south bank, the mighty Brahmaputra has
excided the island from the main land. Lakhimpur town
is to the north and Golaghat is to its southwest. The town of Sibsagar is
on the southeast and Jorhat is to the south. On the extreme east is Dibrugarh District.
·
The Vaishnava Satras founded by Sankardeva
·
The colourful culture of the tribes
·
Migratory birds
·
The Ali-ai-ligang festival in Feb-March
·
Pottery making
·
Mask making
·
Paal Namm festival in the end of winter
·
Folgu utsaav(holi)
·
The sunset in winter
·
Exotic homespun masks crafts
·
the natural beauty.
Few pictures from the Assam.....
Well the tourism sector in
Assam is too broad and huge so in this post I covered only wild life,
historical monuments, temple and pilgrimeges and satras in majuli. In my
upcoming post I will share with you the remaining part of Assam where tourist can
visit and enjoy their vacation. Thank You and keep reading.
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